← DAILIES·5 AUGUST 2026·GUIDE

Corporate video production: how to write a brief that works

Most corporate video briefs describe a video. The useful ones describe a change: who should think differently after watching, and what they should do about it. Everything else, length, style, music, follows from that.

The five answers every brief needs

One: who is this for, specifically ('everyone' is how films end up for no one). Two: what single thing should they remember? One film, one message. Three: where will it live (a LinkedIn feed, a conference screen and a sales meeting are three different films). Four: what does success look like (views, understanding, a signed contract)? Five: when is it truly needed, and what part of that deadline is real.

A brief that fits on one page gets read. A brief that fits in one sentence gets made.

What to leave out

Shot lists, camera models, and references to films with ten times the budget. Bring feelings and examples instead: 'confident but not corporate', 'like this, but ours'. The production company's job is to translate taste into logistics; let them.

What it does to cost

Corporate video production is priced in days: shoot days, edit days, crew size. A sharp brief compresses all three: fewer locations, fewer approvals, fewer surprise stakeholders in the review. The cheapest thing you can add to a production is clarity.

We've shot corporate and industrial films across the Gulf for a decade: headquarters, factories, substations, sites at height. If you have four of the five answers, we'll help with the fifth.